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| Emotive crustcore. A mixture of Skitsystem, meets a dash of black metal and dare I say it, the epicness of Tragedy. This band from Sweden sure made me pay attention. It has the aggression and power mixed with musical prowess that brings the music above the common. A controlled wall of blasting sound that brings forth a good slap in the face. It also takes you along dragging you on the ground for additional pain. The sound is so big that you feel enveloped in the energy.
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Selling points
# Full colour sleeve done by Hell Designs. Beautiful!
# A brutal record and a truly outstanding follow-up to last years album.
# End of all are, and will always be, the kings of metalcrust!!!
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Line-up
Martin: vocals/guitar
Jocke: bass
HĂ€ll: guitar
Frank: drums
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Digital download
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| Reviews |
| Profane Existence, [written by Donofthedead. Distributed by -] |
| A mixture of Skitsystem, meets a dash of black metal and dare I say it, the epicness of Tragedy. This band from Sweden sure made me pay attention. It has the aggression and power mixed with musical prowess that brings the music above the common. A controlled wall of blasting sound that brings forth a good slap in the face. It also takes you along dragging you on the ground for additional pain. The sound is so big that you feel enveloped in the energy. Hearing this band for the first time, I hope their previous releases can match my level of expectation. |
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| MRR #319, [written by VX. Distributed by -] |
END OF ALL is a band that never disappoints.
Seeing their new 7" in my review list put a smile on my face, especially since i kept meaning to order a copy but forgetting to for the last month or so. If you have either of their LPs, you should know what to expect: epic, complex, medlodic Swe-crust played very, very well with a lot of passion. If you haven't heard them but are a fan of TRAGEDY, FALL OF EFRAFA, or SCHIFOSI, then get off your assflap, tuck your dread mullet into your engineer's cap and buy this record. |
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| Razorcake #53, [written by M.Avrg. Distributed by -] |
| Backin the fray with another sonic bomb blast of Scandinavian hardcore mixed with some metal for extra abrasiveness. Certainly a bit heavier than their crushing Art of Decadence CD from last year. Cross Tragedy with Skitsystem here, Crushing and driving, yet there's a tuneful undercurrent that helps set them apart from the hordes doing this sound. The best tracks of the three are on the B side: "On That Hill" and the standout "The Camp". If you have yet to check these guys out, here's a good entrance point. Comes on marble gray vinyl. |
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| Collective Zine, [written by Kunal Nandi. Distributed by -] |
| It took me a while to realise I had been playing this at 45 instead of 33, thus making that swingy stoner opening section of âInto The Abyssâ surprisingly slow and heavy, which made the traditional eruption of crust mayhem all the more powerful. This ainât anything you havenât heard hundreds of times before from the likes of From Ashes Rise or Wolfbrigade, but itâs still a powerful slice of ultra-melodic d-beat with some nice doses of variety. |
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| Profane Existence, [written by Dan S. Distributed by -] |
| A mixture of Skitsystem, meets a dash of black metal and dare I say it, the epicness of Tragedy. This band from Sweden sure made me pay attention. It has the aggression and power mixed with musical prowess that brings the music above the common. A controlled wall of blasting sound that brings forth a good slap in the face. It also takes you along dragging you on the ground for additional pain. The sound is so big that you feel enveloped in the energy. Hearing this band for the first time, I hope their previous releases can match my level of expectation. |
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| Slavestate Magazine, [written by Michael Porali. Distributed by -] |
4/5
End of All Ă€r ett vĂ€stsvenskt kĂ€ngband/kollektiv som jag vill minnas att jag uppskattat tidigare, vilket gör att jag upplever ett visst mĂ„tt av förvĂ€ntan nĂ€r jag finner deras nya sjutumssingel pĂ„ hallmattan. A-sidan, âInto the abyssâ bĂ„dar gott med sitt utdragna intro som inte alls landar sĂ€rskilt lĂ„ngt ifrĂ„n vad titeln antyder. Redan frĂ„n första början Ă€r det mörkt och hopplöst, och inte blir det mycket ljusare nĂ€r lĂ„ten dundrar igĂ„ng efter nĂ„gon minut. I grunden Ă€r det en ganska klassisk variant av kĂ€ng/crust kvartetten Ă€gnar sig Ă„t, men med melodislingor mer i moll Ă€n de flesta och med Martins desperata skrik lĂ„ngt fram i produktionen har End of All Ă€ndĂ„ nĂ„got som fĂ„r dem att sticka ut i ett, krasst konstaterat, alldeles för stort brus av crustpunk. Om dettta beror pĂ„ att nĂ€mnda vokalist dubblar sin arbetsbörda med att, enligt uppgift, sjunga i ett matematiskt progmetalband lĂ„ter jag vara osagt, men helt orimligt lĂ„ter det vĂ€l Ă€ndĂ„ inte?
B-sidan bjuder pĂ„ tvĂ„ spĂ„r, först den lite rockigare âOn that hillâ som Ă€ven den stĂ„r sig vĂ€l i konkurrensen med sin nĂ„got abstrakta text om vad jag skulle gissa handlar om att sitta anhĂ„llen, men det Ă€r bara mitt intryck. Den kan lika gĂ€rna handla om att stĂ„ pĂ„ en kulle, vad vet jag? âThe campâ, slutligen, handlar om koncentrationslĂ€gren under andra vĂ€rldskriget (âthe rotten soil of a holocaustâ) och Ă€r med sina insamplade journalfilmsmonologer en betydligt deppigare historia, och Ă€ven om jag personligen tycker att det finns betydligt mer aktuella Ă€mnen att skriva lĂ„tar om 2009/2010 Ă€r det svĂ„rt att inte kĂ€nna en liten rysning lĂ€ngst ryggraden nĂ€r End of All gemensamt skriker âWe will not forget! We will never forget!â i sista versen som om de sjĂ€lva varit i helvetet och vĂ€nt.
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| Blogg as fuck, [written by Masken. Distributed by -] |
Dags för ny 7'' frĂ„n End Of All, slĂ€ppt pĂ„ Halvfabrikat. Jag har tidigare bandets bĂ„da fullĂ€ngdare och dom tycker jag Ă€r riktigt bra faktiskt, sĂ„ jag mĂ„ste sĂ€ga att jag blev lite besviken pĂ„ denna 7''. Efter ett lĂ„Ă„Ă„ngt intro och nĂ„gra skrik, tystnar det en kort sekund innan det börjar viftas d-takt och lĂ„ten âInto the abyssâ Ă€r igĂ„ng⊠Och det Ă€r en lĂ„ng jĂ€kel med massor av riffande, stopp, meck och gitarrslingor. Och jag tycker den spretar för mycket, hittar liksom ingen röd trĂ„d i lĂ„ten⊠Ena sekunden Ă€r det mangel aâla Wolfbrigade (förlĂ„t Frank), lite gammal HC, och rĂ€tt som det Ă€r lĂ„ter det nĂ€stan lite thrash en kort stund.
B sidan inleds med âOn that hillâ som Ă€r en lite lĂ„ngsammare historia som ocksĂ„ Ă€r lite för meckig för min smak⊠Jag gillar slingor och grejer vanligtvis, men hĂ€r tycker jag det Ă€r alldeles för mycket. HĂ€r tycker jag uttrycket âless is moreâ passar rĂ€tt bra. Jag tycker att det spretar för mycket som jag sa tidigare. Det toktunga partiet i slutet gillar jag bĂ€st. Sista lĂ„ten âThe campâ Ă€r den som tilltalar mig mest pĂ„ hela skivan dĂ„ tempot skruvats upp igen och det Ă€r lite mer rakt pĂ„ sak. Och NĂ€r End Of All kör pĂ„ som i denna lĂ„ten Ă€r dom kanon. Tror att massor av folk kommer gilla denna, men jag personligen skulle vilja ha mindre meck och mera jĂ€vlaranamma⊠|
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| Blindead Mailorder, [written by Krogh. Distributed by -] |
| Hardhitting, powerful, metallic crustcore from End of All, further developing their sound on the "Art of Decadence" LP. Thick layered varied riffs, a galloping beat, and desperatly angry vocals. Lots of real heavy sections as well as straight forward hardcore fury. |
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| All titles with End of all |
| Logo (Patch cloth) |
| Places (US version) (7" EP) |
| The art of decadence (CD in jewelcase) |
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